Statement Of Intent -- Scripted One Shot

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1.  What is the story of this scene in two or three sentences? In other words, what happens in the scene?
Irving and Rosalyn are in their bedroom fighting about a fire that occurred earlier due to Rosalyn’s lack of attention.  Irving brings up the fact that they are not happy in their marriage, and Rosalyn tells him that she won’t let him leave her. 

2.     What is purpose of this scene in the larger story? (Or, if there is not a larger story, invent the purpose of this scene.)
This scene sets up the relationship that Irving and Rosalyn have.  It allows us to see how they fight with one another, but also to see the pull that she has on him.  She is manipulative and cunning.  She knows what she wants and she knows how to get it.  This is the first time we see that with Irving. 

3.     What is the emotion I want to communicate?
There should be a general sadness conveyed due to the fact that he and his wife aren’t happy, and also a sadness conveyed due to the fact that he can’t really get away from that.

4.     Why is this scene personal to me? What previous personal experiences does it remind me of? Why do I need to make this scene?
I think it’s really prevalent and relatable to be in a situation that makes you miserable because you just have to be there. Sacrifice is universal, and sometimes sacrifices leave us worse off than we ever thought we’d be.  I definitely have experience with being in situations I couldn’t get out of, and so even thought I’ve never been stuck in a bad marriage, I can still relate to the sinking feeling of being trapped. 

5.     What, specifically, must the audience understand narratively and feel at the end of this scene? How do you intend to make sure this will happen?
What should be translated to the audience is the weight of the situation Irving is in at home.  They should feel how much of a hold Rosalyn has on him and see the almost pointlessness of his trying to get out of the marriage.  I think I can convey that with slow push-ins to extreme close ups on his face as she kind of talks to him at the end about how she will not divorce him.

6.     What two visual elements (line, shape, space, tone, color, rhythm, movement) will you use to help communicate the emotion of the scene?
I’m using color heavily throughout.  The lighting will be low-key high contrast colored light.  Probably green or red tinted.  I want the room to feel claustrophobic, so limited space will also be utilized.  And I just want things to feel sweaty and grimy and dirty. 

7.     What are some potential obstacles to creating a successful scene? How can you be prepared to overcome these?

Performance here is important and will be super helpful in conveying the emotions, so if I don’t get actors who are capable and I can’t get the performances I want out of the actors, it could be problematic.  I think auditions will be a good thing to have before shooting.


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